The Latest

awolerizku:

VICE FASHION ISSUE 2014 SHOT BY ME #5
Apr 18, 2014 / 383 notes
awolerizku:

VICE FASHION ISSUE 2014 SHOT BY ME #4
Apr 18, 2014 / 137 notes
awolerizku:

My video installation from my crit last night.
Apr 18, 2014 / 13 notes

awolerizku:

My video installation from my crit last night.

awolerizku:

My new Sculpture “Oh what a feeling, fuck it, I want a billion” (2014) Yale School of Art 
Apr 18, 2014 / 23,647 notes

awolerizku:

My new Sculpture “Oh what a feeling, fuck it, I want a billion” (2014) Yale School of Art 

(via awolerizku)

Apr 17, 2014 / 14,368 notes

xxvalleygirlxx:

mercedes-nobenz:

fashionismoriahjoy:

comewithmemike:

Michael Jackson recording his heartbeat for Smooth Criminal

^Genius like who does THAT??

i never knew that

He was so trill

(via kalories1)

cyberrghetto:

ॐ cyberspace princess ॐ
Apr 17, 2014 / 7,005 notes
Apr 17, 2014 / 1,818 notes

Deadpan (Steve McQueen, 1997)

Turner Prize-winning artist Steve McQueen—now best known for his feature films, Hunger, Shame, and 12 Years a Slave—put himself in the line of fire in Deadpan (1997), a restaging of Buster Keaton’s falling house gag from Steamboat Bill Jr. McQueen does more than remake the stunt; his presence as a black man transforms the work into a commentary on race relations and the precariousness of the black experience. 

"Damage Control: How Artists Destroy to Create Art"

(via agsll)

iamapyramidscheme:

David Hammons, “Untitled”
Apr 16, 2014 / 4 notes

iamapyramidscheme:

David Hammons, “Untitled”

Apr 11, 2014 / 309 notes

(via kalories1)

Apr 8, 2014 / 138 notes

"My shoe? Really?"

x

(via serenawilliamsfan)

hueru:

thanks for the raw material chanel..
life without chanel, 
means one should always channel chanel.. 

xx_ k.c. 

"channel" _ 9" w x 12" h _ collage on bristol_ 4.8.14
Apr 8, 2014 / 12 notes

hueru:

thanks for the raw material chanel..

life without chanel, 

means one should always channel chanel.. 

xx_ k.c. 

"channel" _ 9" w x 12" h _ collage on bristol_ 4.8.14

colepierce:

Orly Genger Untitled (Blue Gradient) 2011, climbing rope and paint, 46 x 71 x 36 inches
Apr 7, 2014 / 4 notes

colepierce:

Orly Genger 
Untitled (Blue Gradient) 
2011, climbing rope and paint, 46 x 71 x 36 inches

ryanduffinphoto:

Ping Pong on a Broken Mirror, 2014
Ryan Duffin
Apr 7, 2014 / 653 notes

ryanduffinphoto:

Ping Pong on a Broken Mirror, 2014

Ryan Duffin

(via anasamoylova)

Apr 6, 2014 / 72 notes

blackcontemporaryart:

Kevin BeasleyUntitled (Jumped Man), 2014 (installation view, Whitney Biennial 2014, Whitney Museum of American Art, New York, March 7–May 25, 2014). Collection of the artist. Photograph by Bill Orcutt 

"Installed in direct relationship to their architectural container, often on the floor directly in the viewers path, Beasley’s objects make use of - and continue to look like - biological matter, geological debris, and organic waste. Their near life size renders them anthropomorphic, yet these are disconcertingly truncated, compressed forms. They are at once nonhuman and human-like —- distinct from the viewer’s body, yet threatening and dissolving that boundry all the while.

-Thomas J. Lax, “Hole: A Way In,” 2014 Whitney Biennial Catalogue

Apr 2, 2014 / 316 notes